A friend of mine has sent me a postcard of a shawl goat from Bhutan, wearing what looks like a baggy old mohair sweater. It’s of a watercolour by an Indian artist, Shaikh Zayn al-Din, made in 1779. The original now sits in the V&A in London as part of the Impey collection.
Here’s my version of a long, repetitive article I found at Abe Books on the Impey collection. First of all, it should not be confused with a later Impey collection, one of Japanese porcelain made in the 1970s by Dr Oliver Impey — his doctoral thesis had been on the working of lizards’ jaws. These Impeys, Dr Impey’s forebears, were the first European patrons of Indian natural history painting. Sir Elijah Impey, a schoolfriend of Warren Hastings, was Chief Justice of Bengal. His wife Mary established a menagerie in the grounds of their house in Calcutta and employed at least three artists to paint the birds and animals. One of them was Shaikh Zayn al-Din. He trained in the Mughal tradition of Persian court painters; he was from Patna, and likely migrated to Calcutta in search of work when earlier Mughal patronage dried up.
Here is a lineated barbet, Megalaima lineate, on a juniper tree. The leaves look like little wings:
Zayn al-Din liked to show his subjects in profile, painted from life, used vibrant colour and paid great attention to detail. A new style emerged with the work in the Impey collection. Mughal artists previously wouldn’t have had the bird on a white background detached from the landscape. Thanks to the menagerie Zayn al-Din wasn’t obliged to use stuffed specimens for study; he gave a good deal of vitality to the work, which is considered to be important to the development of European natural history painting, both artistically and scientifically.
And here is a red-whiskered bulbul, Pycnontus Jocosus:
Maybe I’ve got it wrong, but from what it says at Abe Books, the bird pictures seem to be colour plates ripped out of old books. Each is available for $165,000.00, with an additional $3.00 payable for shipping within the United States.
Sir Elijah Impey’s impeachment was unsuccessfully attempted in the House of Commons, in 1787. His memoirs are available here.
Watched a documentary the other day. Fleetingly mentioned Atkinson Grimshaw. Never ‘eard if ‘im, but a quick google showed that he was pretty fine. And today my new appreciation has proved to be a little late.
http://www.telegraph.co.uk/culture/art/art-news/8069668/100-Victorian-oil-painting-sells-for-185000-at-auction.html
How many other minor masters must there be, or whole schools like your Indo-Persian birdy chaps, to give great pleasure? And meanwhile Art has descended, much of it, into tat and fraud. Grumble, grumble.
Great pictures! The goat is fantastic. But the “juniper tree” doesn’t look very junipery to me. Maybe the Indian name sounds kind of like “juniper” and that’s why it is called that?
News of the Taligoat.
http://www.independent.co.uk/news/world/americas/goat-that-gored-hiker-had-history-of-aggression-2110531.html
Uh-oh. The goats are turning on us.
I’d say Atkinson Grimshaw is a bit iffy in comparison to real artists like Turner or Casper David Friedrich. I think that couple were right to get rid of it, the question is why they bought it in the first place. It’s all brown.
I’d be interested to know what method they think the goat used to kill the man. It’s much more likely that he was murdered by the other hikers, who are now blaming the goat.
Bloody Hell, comparing almost any artist to Turner is a bit much. Look here, Chopin old boy, you are neither a Mozart nor a Beethoven.
Yeah, well Atkinson Grimshaw ain’t no Chopin, either. He’s more of a Freddy & The Dreamers.